This blog was originally posted on March 24, 2014, was Blog #13, and written by Larry Kozoyed.

Years ago in the mid 1980’s while we were in New York, my wife, Joyce, and I went to our very first Broadway show.  The name of the show was “A Chorus Line”[1], a wonderful musical about fledgling dancers seeking to make it on Broadway.  The show included many practice dance numbers and with each one, the lead in cadence offered was 5, 6, 7, 8.  This was a surprise to me because in my previous experience with musical cadence, the numbers offered were simply 1, 2, 3, 4 (i.e. Lawrence Welk style).  In the years that followed, it became obvious to me that musical and dance industry had adopted the new format of 5, 6, 7, 8.  Without further conscious consideration, I simply accepted the change as a desire for something new.

However, since my experience with the cadence change to 5, 6, 7, 8, every time I would hear the numbers called out, wherever and whenever, there was like a nagging synchronicity seeking to manifest itself from somewhere deep within my soul.  Years later, I made the synchronous connection when the Twelve Modalities of Creator God’s loving energy manifested itself into my consciousness.  The cadence numbers 5, 6, 7, 8 and the Divine Feminine Energy modalities had become synchronous.  It was like each time I perceived the numbers 5, 6, 7, 8, I was being invited to dance with the energy of the Divine Feminine.

As for me, and as Joseph Campbell might say, “It just doesn’t get any better than that.”

The purpose of this blog is to highlight the reality that the Divine Feminine provides the segue from and underscores the conclusion presented in my previous blog, Creator God’s Loving Grace, Blog Post #12, that a world view based on human centered evolution is shifting to a creation centered reality.  Like the dance, it’s a transcendent compassion of 5, 6, 7, 8.

This most clearly means that the Divine Feminine plays a major role in the process of evolving creation.  Without the Divine Feminine, there is no creation.

This further underscores the conclusion that as co-creators with Creator God, the continued refusal by humans to integrate their destiny to receive Divine Feminine Energy into the functional reality of the Divine Presence of God in their lives will lead to continued dysfunction and destruction.

Why not consider dancing with the Divine Feminine.  Dance with the Finale to “A Chorus Line,” “One.”  You can find the music on YouTube at 5, 6, 7, 8.

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ONE[2]

One singular sensation, every little step she takes.
One thrilling combination, every move that she makes.
One smile and suddenly nobody else will do.
You know you’ll never be lonely with you-know-who.

One moment in her presence and you can forget the rest.
For the girl is second best to none, son.
Oooh!  Sigh!  Give her your attention.
Do I really have to mention she’s the one.

She walks into a room and you know she’s
uncommonly rare, very unique,
peripatetic, poetic, and chic.
She walks into a room and you know from her
maddening poise, effortless whirl.
(One thrilling combination, every move that she makes.
She’s a special girl, strolling.

Can’t help all of her qualities
loaded with charisma is ma
jauntily, sauntering, ambling, shamble.
One, and you know you must
shuffle along, join the parade.
She’s the quintessence of making the grade.
This is whatcha call trav’ling!

Oh, strut your stuff!
Can’t get enough.
Ooh!  Sigh!  Give her your attention.
Do I really have to mention,
She’s the one!

 

[1] The musical, “A Chorus Line,” appeared on Broadway for fifteen years and received the Tony Award for Best Musical and a Pulitzer Prize for Drama.

[2] Copyright: Edwin H. Morris & Co., Ltd.